Identity has become very messy. There is not one box that can sum up who we are and where we come from. We are all born in a specific time and place, but once we become mobile there is no telling who we become.
Through sculpture, I explore questions of identity, belonging, adaptation, and community. I am interested in how people navigate social, political, and economic systems that shape movement, access, visibility, and opportunity.
Working primarily with ceramic, metal, and wood, I use materials that embody resilience, transformation, and endurance. My sculptures exist between abstraction and figuration, often using the human body as a metaphor for the ways people are shaped by both personal experience and larger social forces. The body becomes a site where questions of belonging, survival, and identity can be examined.
Surface and texture play an important role in my work. Carved lines, marks, and textures reference memory, movement, and lived experience. They suggest the traces left by journeys, labor, and encounters with systems that influence how we move through the world.
In both figurative and abstract works, I am drawn to forms that appear to push outward from themselves, as if expanding or attempting to escape their own boundaries. These gestures reflect the tension between constraint and freedom, stability and change, and the constant process of adapting to new circumstances.
My practice is informed by formal traditions in sculpture, including an interest in form, mass, balance, rhythm, and spatial relationships. Process is inseparable from meaning. The physical labor of building, carving, engineering, and assembling each piece is an essential part of the work. Individual elements come together to form larger structures while maintaining their own identities, reflecting my interest in interconnectedness, mestizo identity, and belonging as something that is continually evolving rather than fixed.